Kendrick Lamar’s song “Compton” is a shout out to west coast hip-hop heritage and suggests a sense authenticity that comes from creating an identity in an oppressive situation. Authenticity in Lamar’s music comes from establishing ties firmly with traditional hip-hop sound, which is not only heard on “Compton,” but also from identifying with grandfather figures from the 1980s such as N.W.A. and their massively influential first album titled, “Straight Outta Compton.” Dr. Dre is featured on the track and alternates verses with Lamar.
Identity and authenticity are both derived from the city of Compton, despite the excessive violence and crime. Lamar makes his adoration of Compton clear with the song hook, which repeats throughout the song, “Compton, Compton, Ain’t no city quite like mine.” Although violence is neither condoned nor embraced it is assimilated into one’s identity by merely living in Compton. Lamar takes pride in being from, “the murder cap,” and invites the listener to know where he comes from: “So come and visit, the tires screeching, Ambulance, policeman/Won’t you spend a weekend on Rosecrans nigga?” This invitation is aware of the violent nature and reputation of Compton, but indicates something deeper.
Most interestingly in “Compton” is how the violent and oppressive conditions in Compton seem to foster an area for musical out put. Lamar is aware of the unique space his music creates and exists in, but also how it can be powerful – “It’s controversy and hate, Harsh realities we in, Made our music translate.” Lamar also mentions the power of a new record can have, “I’m sure it’s bigger than your religion, perfected by niggas that manifested music to live in.” It is clear that Lamar takes pride in his music, being an alternative voice for the disenfranchised.
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