“Abbey Theatre 110 Moments.” Abbey Theatre’s 110th Anniversary. N.p., n.d. Web. 11 Dec. 2016.
Assmann, Jan and John Czaplicka. “Collective Memory and Cultural Identity.” New German Critique, no. 65 (1995): pp. 125-133. JSTOR
Burnham, Richard & Hogan, Robert. The Years of O’Casey, 1921-1926: A Documentary History. Newark: University of Delaware Press, 1992.
Caulfield, Mary P. & Collins, Christopher. Ireland, Memory, and Performing the Historical Imagination. New York: Palgrave MacMillan, 2014.
Herr, Cheryl. For the Land They Loved: Irish Political Melodramas, 1890-1925. Syracuse, NY: Syracuse UP, 1991.
Hirsch, Edward. “The Imaginary Irish Peasant.” PMLA 106, no. 5 (Oct. 1991), pp. 1116-1133.
Hogan, P. C. (2014). The sacrificial emplotment of national identity. Pádraic Pearse and the 1916 Easter Uprising. Journal of Comparative Research in Anthropology and Sociology, 5(1), 25-43.
Itzkoff, Dave. “Stage Revolutions, Four Decades Apart.” The New York Times, 29 Mar. 2016. Web. 10 Dec. 2016.
Jackson, Camille. “Will ‘Hamilton’ Change How Actors of Color Are Cast?” Duke Today. N.p., 12 Sept. 2016. Web. 11 Dec. 2016.
Joy, Maurice. The Irish Rebellion of 1916 And Its Martyrs: Erin’s Tragic Easter. New York: The Devin-Adair company, 1916.
Kansteiner, Wulf. “Finding Meaning in Memory: A Methodological Critique of Collective Memory Studies.” Theory and History 41, no. 2 (May 2002): pp. 179-197. JSTOR
Levitas, Ben. “Ghost and Spectres: Theatres of War, 1910-1916,” in The Theatre of Nation: Irish Drama and Cultural Nationalism, 1890-1916. New York: Oxford University Press, 2002.
Levitas, Ben. “Modern Experiments in Irish Theatre,” in The Cambridge Companion to Irish Modernism. New York: Cambridge University Press, 2014.
Maxwell, D.E.S.. A Critical History of Modern Irish Drama: 1891-1980. New York: Cambridge University Press, 1984.
McDonald, Ronan. “The Irish Revival and Modernism,” in The Cambridge Companion to Irish Modernism. New York: Cambridge University Press, 2014.
Mele, Christopher, and Patrick Healy. “‘Hamilton’ Had Some Unscripted Lines for Pence. Trump Wasn’t Happy.” The New York Times. The New York Times, 19 Nov. 2016. Web. 12 Dec. 2016.
Miranda, Lin-Manuel. “The Official Page For The Music of Hamilton: The Musical.” Atlantic Records. N.p., n.d. Web. 11 Dec. 2016.
Moran, James et. al.. The Theatre of Sean O’Casey. New York: Bloomsbury Publishing, 2013.
Morash, Christopher. A History of Irish Theatre: 1601-2000. Cambridge: Cambridge UP, 2002.
O’Casey, Sean. The Plough and the Stars. London: Faber, 2001. Print.
Schuessler, Jennifer. “‘Hamilton’ and History: Are They in Sync?” The New York Times. The New York Times, 10 Apr. 2016. Web. 8 Dec. 2016.
Tait, Clodagh. “Adored for Saints: Catholic Martyrdom in Ireland C.1560-16551.” Journal of Early Modern History, vol. 5, no. 2, 2001., pp. 128-159.
Watt, Stephen. Joyce, O’Casey, and the Irish Popular Theater. Syracuse: Syracuse University Press, 1991.
Watt, Stephen. “Late nineteenth-century Irish Theatre: before the Abbey – and beyond.” In The Cambridge Companion to Twentieth-Century Irish Drama, edited by Shaun Richards, pp. 18-33. New York: Cambridge University Press, 2004.
@playbill. “Hamilton Broadway @ Richard Rodgers Theatre – Tickets and Discounts | Playbill.” Playbill. N.p., n.d. Web. 14 Dec. 2016.